I first heard this work live more than 10 years ago at a concert given by the American pianist and noted Mozart specialist Robert Levin, with the Orchestra of the Age of Enlightenment. Played on a fortepiano, whose relatively modest voice spoke so elegantly in the Queen Elizabeth Hall, from the opening measures I was… Continue reading Repertoire in focus: Mozart Rondo in A minor, K511
"The most dangerous thing is 'finger memory'; if you really know a piece harmonically, it doesn't matter what finger you use, but if finger memory fails you, it falls apart utterly." the late Peter Feuchtwanger, quoted in The Piano Shop on the Left Bank by Thad Carhart. From our earliest time at the piano, we… Continue reading Fingering schemes: help or hindrance?
When I was a young piano student in the 1970s, taking lessons with Mrs Scott in Sutton Coldfield, I remember having books like the ABRSM's new Core Classics series, volumes such as Hours With the Masters and Step By Step to the Classics, edited by Felix Swinstead (whose music still regularly appears in ABRSM exam… Continue reading ABRSM: Core Classics for Piano
The Complete Pianist by Penelope Roskell, renowned pedagogue and concert pianist, is an inspiring distillation of her experience and a comprehensive manual for pianists and teachers, packed with invaluable accumulated wisdom and excellent supporting materials
I'm a 'returner' pianist - and maybe, if you're reading this article, you are too and therefore what follows will chime with you. Or perhaps you are thinking of taking up the piano again after a long absence (as I did), in which case you should definitely read on.....
It’s important to try to encourage adult learners to start benefitting from the technology that’s available. Youngsters will just do it anyway and will get tremendous advantages from it. Why should mature learners miss out?
The key is trying to limit yourself to perform only the pieces that will be best for you and the audience. Otherwise, you’re doing everyone—yourself, the composer, and the audience, a huge disservice. – Richard Goode, concert pianist I’m sure most performers would agree with Richard Goode’s statement, yet many, especially younger artists, are under… Continue reading Play what you play best
Getting 'Bach' into piano playing has never been easier! Finchcocks in Kent has announced 20 new piano courses for 2020 * Courses will be taught by internationally recognised tutors, including Graham Fitch and Penelope Roskell, and concert pianists Warren Mailley-Smith and Tom Poster * Choose from a range of beginner, intermediate and advanced adult courses,… Continue reading Finchcocks announces 20 new courses for 2020
Guest post by Tom Van Schoor Why is daily practice so much better than having a dedicated day in the week? And how long should I set aside every day to see some measurable result? The answer lies in the way our brain works. How it processes new information and how it stores long term… Continue reading Why short daily practice beats the once a week catch up
"I wish I'd kept up my piano lessons!" How many people do you meet who express this regret, that they'd continued childhood piano lessons into adulthood? At my piano club, there are people who have played all their life; others who, like me, gave up, often in childhood or their teens, only to return to… Continue reading Never too late